Recreating an elite tube microphone.
There are many great microphones in the world, for all types of applications, but few can claim to be a truly elite microphone. Unfortunately, with that highly vaunted status comes certain exclusivity. An elite microphone like the C-800G attracts an elite price tag…until now.
The SA-800G is like no other microphone you have ever used. It is a large dual-diaphragm condenser, which can switch between cardioid and omnidirectional polar patterns. Its key feature is a 6AU6 vacuum tube, with its own cooling system designed to maintain an optimal operating temperature for the tube and an all tube 6AU6 base power supply.
By committing to only the highest build quality and making no compromise in component selection, we can finally offer a true replica of the microphone that even the largest studios dream about. The almost noiseless operation, incredible sensitivity, and beautiful detail is what makes the original 800G so sought after. The SA-800G performs identically, capturing silky smooth vocals, as well as mirroring the intimacy of acoustic instruments.
The Stam Audio SA-800G is made with premium components.
Let’s start with the capsule. Being responsible for 90% of the microphone’s tone we had to being with the best replica we could find. The SA-800G features a custom US made capsule based on a 1970’s vintage set of original K67 backplates which offers the same marvelous top end the C-800G is known for. It utilizes brass rings to secure the Mylar and nylon screws to isolate the capsule halves. This capsule, made with standards as high as our own, was perfect for the SA-800G.
We obtained thousands of NOS 6AU6 tubes. In combination with the accurate K67 style replica this tube has a beautiful low end, round mids and an extremely pleasing top end which is only found on this circuit. Each SA-800G comes with a custom Sowter output transformer with the same ratio and frequency response as the original which has allowed us to faithfully recreate the tone and magical top end of the C800G microphone at a price that is affordable to everyone
We have done are absolute best to remain 100% faithful to the original circuit and schematic and have made not a single concession in parts, which ensures that you are getting the best possible sounding microphone including the Peltier cooling system and same tube power supply as the original microphone with two 6BA6 tubes which are burned for 72 hours to ensure it works flawlessly for decades to come. In the unlikely event that one of these tubes fails we offer free replacements for our customers (and we have enough for a lifetime!)
100% satisfaction guarantee – if you don’t love your SA-800, we’ll refund you
If you’ve used an original 800G microphone before, we’re extremely confident the SA-800 will put a big smile on your face every time you use it.
However, if you’ve never touched the original before, as gear-lovers ourselves we understand that the only way to really know if this tube microphone is for you is to put it through its paces. That’s why the SA-800G comes with a 30-day money back guarantee.
Riccardo Mazza –
Just received!! These guys did an incredibile job! The sound is astonishing a perfect an stable tonal balance even at higer volume. Real close to the C800 at fraction of the price.
Jay Goodman –
I know it might hard to believe that the sonic quality and clarity of the Sony 800G can be reproduced at a fraction of the retail price but the hype is REAL. The moment we heard the SA-800 on vocals our jaws dropped. This may be the best sounding mic I have ever used. Incredibly low noise and superb clarity. It instantly cuts through the mix and sits just perfectly. Everything about this mic is as superb as I could ever dream. If you don’t have the SA-800 in your mic locker you are missing a secret weapon that will bring your production to the next level.
rockstarmvpaudio (verified owner) –
Finally got my SA-800 about two weeks ago and have been putting it through the wringer so far. Have used it on a bunch of vocalists already and from aggressive hip hop vocals to soulful r & b vibes this mic has sounded amazing. Deep rich lows, pristine sparkly top end, everything sounds amazing with this mic! I couldn’t have been more pleased with this purchase and it will definitely be one of our go to mics in the studio, was worth every penny and the wait!
Mike Snoody –
I have to say, I am seriously impressed with this mic! It is extremely quiet but also extremely responsive and it has a beautiful top end that doesn’t sound harsh at all! Josh and the Stam team clearly take their time when building these mics and it shows when you put it to use. Very happy with the sound and I’m looking to grabbing a 251 next!
David DiMuzio –
This mic blew me away. Buttery smooth high end, clear mids, and round lows. Singing on it made my vocals sound instantly mixed. ?
Eric L –
Amazing mic with beautiful top end smoothness and overall clarity. For pop or anything modern this is probably the best mic I’ve tested and it’s no surprise why so many stars prefer this mic.
andro Martinez –
unbelievable. so glad I got one, my secret weapon, not so secret as I tell everyone about how awesome it is.
clear as water, warm and the right frequencies for amazing vocals, acoustic guitars, etc.
Ricardo Cifuentes Levin –
Obtuve este micrófono en su versión primera y fue WOWWWW una bomba en mis grabaciones vocales, con unos agudos suaves y cremosos coloco la voz masculina en su lugar en la mezcla rock.
Es un gran micrófono desde su construcción hasta su sonido, una calidez que solo el tubo genera y con un gran sonido gordo y lleno de armónicos naturales.
Excelente trabajo Chicos de Stam.
pronto espero tener un Compresor 1176 en versión Stam.
Saludos !!!!
Jeremy Goddard –
A great sounding microphone. Sounds exactly how I’d expect. Very bright and clear but not overly sibilant or harsh. Built like a tank as far as I can tell. Definitely would recommend for anyone looking to get the Sony C800G sound. For reference I got version 2 with the heat sink on the back and the standard, solid state, power supply. Would have gotten the tube upgrade for power supply but cash was tight at the time but no regrets with how great it sounds so either way.
Mike Moore –
This microphone will no doubt replace my Neumann U-87 and my Telefunken AK-47 as my “go to” mic in my mic locker. I’m running it through a Neve 1073 MicPre, matching 1073 EQ and 2264ALB Compressor into Pro Tools and it sounds fantastic. The top end is very smooth and not too harsh or edgy and it is crystal clear on female vocals.
Cameron –
This is the real deal. When using this mic there were a couple times when tracking that I had a moment of deja vu where the vocals sounded like vocals from popular records. I don’t normally have the feeling during the tracking stage but the vocals end up being polished right out of the gate with little eq.
Max –
this mic is the only thing i d be saving if my house would suddenly burns down. love it so much.
contacto.ocmusic –
Ya tengo el micrófono en mi estudio en Bogotá Colombia realmente no puedo estar más feliz con él, en mi casillero tengo un chandler TG que era mi micrófono preferido pero este SA800G lo primero que puedo decir es su sensibilidad lo paso por un Avalon 737 y con el chandler necesitaba de bastante ganancia el stam solo es tocar un poco las perillas y la magia aparece es presente casi para lanzar una canción, las voces suenan realmente increíble gracias Joshua que gran trabajo fue un poco duro esperar tanto tiempo pero valió la pena.
Tyler –
This is probably my favorite microphone I’ve ever used.The sound is impeccable.I’ve tried alot of other mics but this one is the one for me.Unlike other clones this one has both a extended low end and high end and the mids are transparent but consistent.It does NOT sound like an imitation.This is craftsmanship.If you’re looking for the C800 sound like I was don’t look anywhere else this is it.Don’t listen to any bad reviews, there will be a wait but Josh and his team are very professional and emailed me back often to ensure.Brilliant work STAM!
Jake Macdonald –
The second Stam mic addition to our studio, this thing is an absolute tank! We were immediately really impressed by the build quality, and once we stopped oogling at it and plugged it in, we were not disappointed in the least! This thing is crystal clear, and picks up every detail with stunning clarity. We’ve tried a range of vocal styles from quiet rappers to full belting rock singers, and it’s handled them all with grace. It feels already processed the way I’d like it to sound when we print it, and doesn’t leave me with much to do once it’s in the box. Big time saver, and well worth it!
MAGDALENO –
JOSHUA , ESTE ES MI 3ER UN MICROFONO DE STAM AUDIO , LA CALIDAD DE ESTOS ES EXELENTE PERO ESTE EN ESPECIAL ES MUY …….. .!!!!!!
(NO ENCONTRE LA PALABRA PRECISA PARA DESCRIBIR LO IRREAL QUE HACE EL TRABAJO ESTE MICROFONO), HACE POSIBLE LO IMPOSIBLE FELICIDADES A TI Y A TODO TU EQUIPO, STAM AUDIO . CUANDO LO CONECTAS Y TE DAS CUENTA LA CALIDAD QUE IMPRIME, TE OLVIDAS DE EL TIEMPO QUE ESPERAS POR OBTENERLO, LOS BUENOS PLATILLOS SE COCINAN A FUEGO LENTO, EN HORA BUENA, SALUDOS A TODOS
Rony –
I’m been chasing the sound of the Sony C800G ever since I heard it while listening to rappers like Rick Ross and Little Wayne. After searching the web for a more affordable alternative, I ended up with a Manley ref c which sounded really good but not quite like the Sony. 8 years later Slate released the VMS which emulates the sounds of the C800g amongst other sought after microphones. After using the Slate VMS I rarely touched the Manley. I was pretty satisfied with the VMS and used it exclusively. One day while doing my occasional Gear Space browsing I stumbled across the SA800g and instantly fell in love with the fact that it resembles the Sony C800g. Prior to that I had already heard about the SA800g MK1and how identical it sounded to the C800g. A month before I became aware of the new SA800g Golden Age had already released a mic which looks similar and also claimed that it sounded just like the Sony. At a 5k price tag I certainly wasn’t willing to take a gamble. After giving it some thought, I ended purchasing them SA800g. After my first few lines uttered through the mic I knew that Josh had nailed the sound of the mic that I had fell in love with. I recorded and shared a couple of songs with friends and their reactions were that I sounded more professional. While I was able to get great sounds with the Slate VMS and Manley, the SA800G got me that sound with a lot less effort. I no longer have to remove a lot of harshness via eq and deessers like I did with the VMS. I’ve never used an actual Sony C800g but I know and listen to a lot of vocals that were recorded using one. I can say without the slightest doubt that this mic has that sound that many of us fell in love with. Thanks Josh!